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Or take the bit in Sorry about a Black woman picking out bananas. He ventriloquizes everything a pedophile might be thinking in exceptional detail, for instance. The way C.K.’s flirtations with the offensive and the taboo work, at least historically, is by making himself a temporary stand-in for the bad guy. was taking in Sorry: Sure, he’s doing riffs on a lot of the same old themes, but he’s doing them this time without a safety net. But I realized as I was watching that there was a different sort of risk C.K. Compared with his best work, it’s a pretty simple routine. is so practiced at it, and we’ve seen him do it so often, that it’s not the revolutionary stuff it once was (it’s not that fun to watch a tightrope walker do the same thing 18 times). There’s virtuosic skill involved in all this boundary-skirting, but C.K. And there is always, always, masturbation and sex: how bad he looks having it and doing it in which positions, and so on, and so on. It doesn’t quite pay off.) There’s usually an extended section in which he flirts with a homosexual attraction and whether or not it would make him less manly and how he would approach a penis. (“It’s gonna be OK,” he says midway through a riff about observing a Black woman selecting bananas in the grocery store. There are also a few bits done in offensive ethnic accents (typically Black, Hispanic, Asian, and Jewish) that he generates elaborate rationales for using-and this too is the game, to keep you on board while he creeps closer and closer to the indefensible, enjoying the audience’s squirming discomfort. There are always a few bits done in his “Valley girl” voice in which he parodies some urban neurosis or elite double standard. You go to a church and it’s like going to a roller-skating rink on a Wednesday”). he reflected on how completely it has lost (“That shit is over. If you don’t believe me, let me ask you a question: What year is it? I mean, come on!”), and in Sincerely Louis C.K. There’s usually some observational humor about religion-in his last pre-scandal special, 2017, he was talking about how Christianity has “won” (“The Christians won everything a long time ago. In both cases the point is to mock the audience for piously hypocritical attitudes that prioritize respectability over dirty pragmatism. Then there’s the sexual taboo stuff: Sometimes it’s necrophilia, sometimes it’s pedophilia, but the point is usually to offer a creatively shocking solution to the problem of sexual compulsives, like offering his dead body for sex or proposing the creation of realistic dolls so pedophiles will spare children. They include things like picking a taboo word like a gay slur or the N-word to recuperate and redefine according to his own peculiar lights, where the game is to say it as many times as possible.

has long prided himself on putting out a whole new hour of material every year or two, but even when the jokes are new, the moves are familiar. Your whining will change none of this.” (Some pointed out that his tweet actually concedes that “cancel culture” isn’t a real threat.) In short, this all feels like shadow boxing, and these reprises of an old controversy aren’t getting us anywhere new or interesting.įor one, he’s repeating a lot of themes you’ll recognize from other specials. Thus he will continue to survive and thrive. We’re in the domain of dunks now, with bitter jokes (again, since the same joke circulated with his 2019 special, Sincerely Louis C.K.*) that it’s on brand for the comic to release something without consent, while defenders like Ben Shapiro mock those who care about the allegations: “Louis CK is hilarious. specifically has all been too thoroughly chewed over, and I refuse to masticate on it. Whether cancel culture exists and how it has afflicted C.K. material would spark another exhausted cycle of … I was going to say debate, but it’s hardly even that anymore.

SMEDIUM SHIRT JOKES MOVIE

It’s the second since the 2017 reports of his masturbating in front of unwilling women scuttled the launch of his movie I Love You, Daddy, crushed legions of his fans (including this one), and evoked a promise from the comedian to “step back and listen.” has a new self-released stand-up special, somewhat trollishly titled Sorry.

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